Rachel

I was exposed to anime as a child while living in Germany after watching the Japanese version of Hans Christian Anderson’s the Little Mermaid. In high school, a classmate in art brought in Akira as an example of Japanese art. I wasn’t very impressed with anime at the time, but my re-exposure to it in 2000 thanks to Escaflowne had me hooked for life.After sorting out what I liked about anime (great stories, beautiful animation and epic battles) and disliked about anime (big boobs, angst-y 15 year-old kids, most mecha, sports stories and style-over-substance), I got into it with a vengeance.I do love almost all aspects of Japanese culture and try to be involved with it as much as possible. I have no problem admitting that I incorporate a lot of Japanese trends and traditions into my life as I modify them and make them my own. Anime is a big part of that, along with all the sub-cultures, past and present.

18 Comments

  1. Dwight

    Dang it. You did that on purpose. Now I have to actually pay to see it just to debate your review in good conscience.

  2. Rachel

    @Dwight, I think you’ll be surprised at how good this movie really is. I honestly thought it would suck. I was prepared to roll my eyes and make disparaging comments, but instead was entertained. It takes a lot to change my mind, believe me.

  3. Ren

    I haven’t seen the movie, but read a lot, like A LOT of bad reviews about this movie. I heard despite the extremely high budgets in making the movie, it debut poorly at box office. That makes me think many times whether or not to watch the movie. :/

  4. Ren

    Oh, i forgot, i must add, i really liked Emile Hirsch’s works before. I think he’s talented at acting.

  5. Rachel

    @Ren, The thing about movie critics is they’re journalists with a “J”. God forbid they ever enjoy something which doesn’t have any taint of the elusive golden boy Oscar. And they hated, positively hated this movie. If I recall correctly, they hated the Matrix too, not to mention the Matrix initially did very poorly at the box office. Something in the realm of $19 million opening weekend. I remember there was no one in the movie theater when we went to see the Matrix, the place was practically deserted. The second and third time we paid to see it in the theaters (we brought ALL our friends) the place became more and more crowded. Now it’s a modern classic. Go figure.

    Was Speed Racer good? Yes. Was it Oscar material. No. But it was hella fun and anime brought to life. If people aren’t fans of anime, they can still enjoy the movie, but not as much as someone who’s been indoctrinated in the culture. I thought I would hate this movie, but I ended up loving it. I’ve learned not to listen to the same people (critics) who hate on movies I love. I say, if you want to see this movie, don’t let a bunch of stuffy shirts ruin it for you.

  6. Rachel

    I must add, geeks love this movie. Wired gave it a good review as did Harry Knowles of Ain’t It Cool. I’d much rather take their word on how good a movie is than some guy writing for the New Yorker who still calls anime “Japanimation”.

  7. Ren

    Haha, yeah. Oh, and some of them just refer to it as “cartoon” rather than “anime”. Ouch. Not cool.

  8. Caitlin

    I’ll have to rent this when it’s available. I haven’t seen any reviews on the movie, other than fan ones, but it looks ok.

  9. Chris N

    Omg, Rachel. We agree for once!!! I too loved speed racer. Maybe even a bit more than Iron Man. I’m definitely buying this one once it hits dvd. And, I might even catch it in the theater one more time before that happens.

  10. Christopher Fritz

    After reading a review like this, I might just have to enter a movie theatre for once in forever. Hm, no time this weekend, but maybe the next if I remember…

  11. Rachel

    @Caitlin, yes, do rent this, but try and watch it on as big a screen as possible for maximum awesomeness.

    @Chris N, yep this one is definitely a keeper on the ol’ DVD shelf. And if I have the cash, I’ll be back in theaters for another hit of the crazy action.

    @Christopher Fritz, try and see this on IMAX if you have the $$$. Next time I go, I’m shelling out the extra $4 for the full experience.

  12. Xias

    Hmm, I may actually have to go check this movie out. When I first saw the previews I was not all that impressed, but I’ve heard a lot of good things about it…

    IMAX Here I come!

  13. Cliff

    I so agree with everything you said concerning critics! I hate people who want take the time to see the movie because of what a fucking critic said….arh…I LOVE THIS MOVIE!

  14. Christopher Fritz

    I have the cash for IMAX, but not the time nor the transportation to get to one =P

  15. Manfred Powell

    I went to an afternoon matinée showing to fit around my schedule, and while there were only a few people there, we were all laughing along and people were cheering and whooping. And I left the cinema with a grin the size of a crescent moon plastered on my face. The Brothers seem to have delivered a real crowd-pleasing extravaganza of a film.

    The racing scenes were bleeding spectacular. I mean “spectacular” in a way that has never even been imagined. Honestly, it deserves an Oscar nod just for art design. What’s so ingenious about the opening sequence is that it not only sets up all the characters with entertaining and emotional efficiency, but it also establishes how the cars work in this fantasy world. So despite the races being faster than anything you’re ever likely to see, the main action beats are always delivered with a clarity and a style that will keep you thrilled beyond belief. Each race is perfectly crafted with the stakes and the challenges rising further and further with each successive scene…until we reach a final showdown that leaves you utterly breathless. Literally. And the “visual vocabulary” of the film is truly innovative. It’s like the camera is no object. As an audience member, you’ve never felt freer. Unlike the stylistic approach of the recent Star Wars prequels, which generally used locked off cameras and relatively tame tracking shots, Speed Racer ducks into, under and around the action in a way that opens up the medium like no other film before it. Compared to other film in its greenscreen sub-genre, this leaves movies like Sin City and 300 looking rather timid by comparison.

    But at the heart of it, this is really a film about fathers and their sons. A coming of age story about hope, expectation, and the pain of loss. I found myself with a lump in my throat while watching the movie. Wait, let me rephrase. I found myself with a lump in my throat within ten minutes of the film starting. Emile Hirsch, John Goodman, Susan Sarandon, Matthew Fox and Scott Porter as the young Rex Racer all provide intimate and genuinely moving performances. Make no mistake about it, this film is the definition of joviality on celluloid. But the story is basically driven by the shadow of a lost family member from the very first scene in the film, and that’s what really makes the film worth watching. As well as being immersed in a fantasy world of drop dead gorgeous visuals, of course.

    In the same way that Sin City was an exaggerated, impressionistic noir, and just as 300 was an exaggerated, impressionistic war movie, Speed Racer plays as an exaggerated, impressionistic 1960s kid’s show. Which is exactly what it is. It’s campy. It’s fun, And it’s full of humour and heart. Of course, brooding characters and over-the-top gore is easier to sell than camp, colourful fun, but allowing oneself to become absorbed in the film’s style makes for a rewarding experience. I’ve heard complaints about the film’s exposition, but the only scene where I could perhaps understand that criticism was about half way through when Taejo’s family troubles were being told. But even that zipped by very quickly and the audience still understands exactly what was at stake in the upcoming race. So if it is a flaw, it’s a minor one at best.

    The characters are warm and lovable, the villains are wonderfully hissable, the actors’ performances are all suitably camp, and the morality tale at the center of it – the battle of family versus corporatism – gives the story a real spirit. And makes the races all that more enthralling to watch. It’s infectiously charming, and even at 129 minutes the film glides like a T-180 on ice. I was convinced I was only in there for about thirty minutes, and when it finished I was left gagging for more.

    So what’s the verdict? Well, it’s a tricky decision between 4 and 5 stars. While the story wasn’t exactly the peak of literary greatness, it was very well told. Despite its two hour plus running time, the narrative was sharp, the emotionality was touching, and the plot turns were genuinely exciting. If the film was not such a special effects extravaganza, it would probably have been given a 4 star rating. But the film does have incredible special effects. And it does offer an absolutely sublime spectacle. Not only that, but the Wachowskis seem to have yet again set another industry standard – one that will likely be copied and mimicked for years to come. Until the Brothers reinvent the wheel for a fourth time, that is. And as such, the rating for this film is for something that could easily end up becoming highly influential classic.

    Bring on Speed Racer 2!

  16. Harry Maria

    I also loved the live action Speed Racer. To me it was a masterpiece and way better than Iron Man.

One Trackback/Pingback

  1. Top Three Anime & Manga News Stories For 2008 | The Anime Blog - We Go Beyond Anime!

    [...] Rachel wrote an outstanding review of the film, which was very positive. Here’s an excerpt: “The visuals aren’t just a homage to anime, though, they are anime. The beautiful people and creative character designs populating Speed Racer are what make anime so appealing and unique. [...]

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