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><channel><title>The Anime Bloganime distribution</title> <atom:link href="http://www.theanimeblog.com/tag/anime-distribution/feed/" rel="self" type="application/rss+xml" /><link>http://www.theanimeblog.com</link> <description>The Anime Blog features Anime and Manga News and Reviews, Japanese Culture Articles, Japanese Recipes, Lolita Fashion and more.</description> <lastBuildDate>Sat, 07 Nov 2009 13:34:00 +0000</lastBuildDate> <generator>http://wordpress.org/?v=2.8.5</generator> <language>English</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>How Would You Choose Which Anime Gets Licensed?</title><link>http://www.theanimeblog.com/the-anime-blog-polls/how-would-you-choose-which-anime-gets-licensed/</link> <comments>http://www.theanimeblog.com/the-anime-blog-polls/how-would-you-choose-which-anime-gets-licensed/#comments</comments> <pubDate>Fri, 07 Mar 2008 13:33:00 +0000</pubDate> <dc:creator>Rachel</dc:creator> <category><![CDATA[Polls]]></category> <category><![CDATA[Anime]]></category> <category><![CDATA[anime blog]]></category> <category><![CDATA[anime blog polls]]></category> <category><![CDATA[Anime Blogs]]></category> <category><![CDATA[anime distribution]]></category> <category><![CDATA[anime polls]]></category> <category><![CDATA[glass fleet]]></category><guid
isPermaLink="false">http://theanimeblog.com/2008/03/07/how-would-you-choose-which-anime-gets-licensed/</guid> <description><![CDATA[After watching Volume Four of Glass Fleet, I asked myself, &#8220;Why did this anime get made, let alone licensed?&#8221; I mean really, with the huge amount of intriguing anime not getting licensed in the US, how did this squeak through? The studio could have licensed almost anything, and I guarantee it would have been better [...]]]></description> <content:encoded><![CDATA[<p>After watching Volume Four of Glass Fleet, I asked myself, &#8220;Why did this anime get made, let alone licensed?&#8221; I mean really, with the huge amount of intriguing anime <strong>not</strong> getting licensed in the US, how did this squeak through? The studio could have licensed almost anything, and I guarantee it would have been better than this.<br
/> <img
src='http://theanimeblog.com/wp-content/uploads/2008/02/vetti.jpg' alt='Vetti in action!' class="fancy"/><br
/> There&#8217;s so much anime in existence, though, it&#8217;s impossible for it all to get licensed and brought to the US. Impossible. Maybe if studios like Warner Brothers, Sony and Fox get more involved in the anime distribution game, we could potentially see more anime titles getting to America. Yet, you&#8217;d at least think the anime distribution companies would do a little quality control with the titles they pick.</p><p>I&#8217;m not saying <strong>I</strong> could do a better job, but let&#8217;s say I was given the reins for one day to license whatever I wanted, regardless of cost effectiveness or popularity. I think I&#8217;d have a tough time choosing which gets picked, to be perfectly honest. Just because an anime is popular in Japan doesn&#8217;t mean it&#8217;s any good. Choosing the most popular doesn&#8217;t equate with good anime so I&#8217;d be &#8220;forced&#8221; to watch every single series before deciding which to pick, and if I only have one day&#8230;.  I do know what I wouldn&#8217;t choose, though; anything with too many lolitas, blushing moe girls, and fifteen year olds driving mechs.  I&#8217;ve had enough of that, next!</p><p>What if <strong>you</strong> were given the opportunity to pick which anime gets licensed. How would you choose which anime comes to America? What would your criteria be for making the choice in licensing? Would it be a personal choice, something which you personally like?  Would you choose new themes or same themes different series? Would you listen to what average American fans want and then give it to them? Or would you license titles which are obscenely popular in Japan, banking on if it&#8217;s popular there, it&#8217;ll be popular here? <strong>How would you choose which anime gets licensed?</strong></p><div
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class="a2a_dd addtoany_share_save" href="http://www.addtoany.com/share_save?linkurl=http%3A%2F%2Fwww.theanimeblog.com%2Fthe-anime-blog-polls%2Fhow-would-you-choose-which-anime-gets-licensed%2F&amp;linkname=How%20Would%20You%20Choose%20Which%20Anime%20Gets%20Licensed%3F"><img
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isPermaLink="false">http://theanimeblog.com/2007/10/03/our-thoughts-on-geneon/</guid> <description><![CDATA[Rachel
I knew the Geneon/ADV deal was bad medicine when it was first announced in September. When Geneon laid off some employees a short time after the announcement, I wasn&#8217;t surprised, nor was I too taken aback by the two anime distribution companies&#8217; decision not to merge.
When it was announced that Geneon was no longer [...]]]></description> <content:encoded><![CDATA[<h4>Rachel</h4><p><img
src='http://theanimeblog.com/wp-content/uploads/2007/09/geneonxadv.jpg' alt='Geneon X ADV' class="alignright" />I <a
href="http://theanimeblog.com/2007/08/29/holy-crap-geneon-and-adv-are-merging/">knew the Geneon/ADV deal was bad medicine</a> when it was first announced in September. When Geneon <strong>laid off some employees</strong> a short time after the announcement, I wasn&#8217;t surprised, nor was I too taken aback by the two anime distribution companies&#8217; decision <em>not</em> to merge.</p><p>When it was announced that <strong>Geneon was no longer distributing DVDs</strong>, it was a confirmation of that initial bad feeling I had.  I had no idea what was going on behind Geneon&#8217;s closed doors to lead up to this series of events, but like a divorce or break-up that <em>seems</em> to come outta nowhere, this sad event probably was some time in the making.</p><p>When I asked Mochi about the Geneon issue the other day, here&#8217;s what our top news contributor had to say:</p><h4>Mochi</h4><p>As for Geneon, they are definitely out of the DVD business.  However, it really depends on what <strong>Dentsu</strong> wants to do with Geneon USA.  They will be posting a loss for the first half of this fiscal year (Oct. 2007 &#8211; Mar. 2008) due to downsizing their Geneon USA operation.  Since they preferred to take a loss means that Geneon USA was probably operating at a loss with little chance of turning a profit for the foreseeable future.  If they decide that it&#8217;s not worth staying in the North American market, then they will probably close shop once they have fulfilled all (or most) of their outstanding obligations.  If they want to continue in North America, then they may turn to the <a
href="http://en.wikipedia.org/wiki/Kadokawa_Pictures"><strong>Kadokawa</strong></a> model.</p><p><a
href="http://www.kadokawapicturesusa.com/"><strong>Kadokawa Pictures USA</strong></a> is essentially a licensing company.  They license productions (both animated and live action) and sub-contract other companies to dub, distribute, and market.  For example; they licensed <strong>The Melancholy of Haruhi Suzumiya</strong>, then contracted <a
href="http://www.bangzoomentertainment.com/"><strong>Bang Zoom! Entertainment</strong></a> for dubbing and <a
href="http://www.bandai-ent.com/"><strong>Bandai Entertainment </strong></a>for distribution and marketing.  Similarly,with <a
href="http://en.wikipedia.org/wiki/Full_Metal_Panic!:_The_Second_Raid"><strong>Full Metal Panic! TSR</strong></a>, they contracted <a
href="http://www.advfilms.com/"><strong>ADV</strong></a> for dubbing and <a
href="http://www.funimation.com/"><strong><a
href='http://www.funimation.com' rel='external ' title=''>FUNimation</a></strong></a> for distribution and marketing.  As you can see, Kadokawa is not tied to one company for these functions and they don&#8217;t have to do this in-house either.  This gives them flexibility to work out a deal with a decent chance for profit without the overhead of an in-house staff.</p><p>Speculaton by <a
href="http://animeondvd.com/"><strong>AnimeOnDVD.com</strong></a> and <a
href="http://www.animecornerstore.com/"><strong>Robert&#8217;s Anime Corner Store </strong></a>seems to see this as a likely scenario for Geneon- unfortunate for former staff- but things can be cold in the world of business.  If they decide to go this route, then Geneon can contract other companies to dub, distribute, and market the licenses which they still hold&#8230;otherwise these licenses will be in limbo for a while.</p><h4>Rachel</h4><p>Well, now that Geneon is down and Bandai is in a sorry state as well, it looks like we fans may feel the ripple effects before too long.  One of the major impacts Geneon&#8217;s absence will have is the lack of Hellsing OVAs.  Who&#8217;s going to distribute them now?  Who else is going to feel the effects of this giant&#8217;s take down? Are any of you going to feel the pain or does this not impact at you all?</p><div
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