The Major and her crew are back again in this compressed, movie version of 2nd Gig; the second season of Ghost In the Shell: Stand Alone Complex. This second movie is much like the first in that it highlights a main theme of the second season.

The case of the Individual Eleven was the main focus of 2nd Gig, with additional side and back stories thrown into the mix. The movie, Individual Eleven, cuts out the side stories and puts all the emphasis on the Individual Eleven, a case involving many subtleties and the Major’s past.

plot summary

In the future of 2030, WW IV has concluded six years prior. Japan has become home to many thousands of refugees displaced in the war. These refugees live a repressed existence and have become targets for a terrorist group known as the Individual Eleven.

The Individual Eleven have also been targeting foreign ambassadors and the Prime Minister of Japan. Their aim is a total breakdown of the governing system.

A leader has arisen within the refugee camps whose charismatic demeanor inspires the oppressed to rise up against their attacker, no matter the odds.

Major Motoko Kusanagi and Section 9 are put on the case to solve both the riddle of the Individual Eleven and the rebel leader’s identity.

But the true identity of the masterminds behind the mayhem will cause more problems for Section 9 than mere anarchy ever could.

review

Ghost In the Shell is a “thinking man’s” anime. It’s one of those series/ movies that requires a certain amount of undivided attention and some grasp of philosophy, politics, and the art of subterfuge to appreciate the anime to its fullest. I’m never disappointed with the paths this anime has led me down. The “aha!” and “I get it!” moments empower me to feel a slight smugness that other anime don’t.

However, even if one isn’t a fan of undivided attention, philosophy, politics, and the art of subterfuge, there’s still much to be appreciated in the way of thoughtful technology, well choreographed fight scenes, awesome animation, and character development.

Character Development

Fans of the anime will already be well familiar with the Major and her group of special ops. If not, someone new to the anime will be able to watch the movie and still feel as if everyone has enough development to make the OVA self-explanatory.

There are a few instances which may leave one who hasn’t watched the 1rst Gig or the Laughing Man Movie a bit disoriented, but some well placed comments by the characters will give the viewer enough info to infer what’s going on. It’s not much of a stretch to say that a complete noob to GIts will be able get a fairly solid grasp of who’s who within the first 30 minutes of the movie.

Motoko’s past is peeked into in the latter part of the movie, and we’re given a chance to see how she pulled through the difficulties which made her who she is today. She’s given a bit of humanity in contrast to her machine-enabled existence.

Character Design

The Net, aka, internet of the future is a vast configuration able to process all manner of data in micro seconds. Its portrayal in the anime is impressive. GIts has a way of showcasing its unique technology without making it seem like something unattainable; it makes everything look like a damn good possibility.

The colors used for GIts are also a reflection of the possible instead of the improbable. The improbable being more common, as can be seen in other futuristic anime.

Animation

High end is how the animation, by Production I.G., is rendered. It’s smooth flow and lack of hiccups create a sense of realism. The facial expressions are highly emotive and the detailed shading add much appreciated depth to the animation.

Music

Music from Yoko Kanno is always a good thing, and the soundtrack from the original series by Kanno accompanies the movie throughout. The soundtrack gives an edge to the anime apropos to the subject matter. Those unfamiliar with Yakko Kanno’s work on the series should find the techno beats and electronic tones a perfect accompaniment to this high tech movie.

Production

Like the Laughing Man movie, this DVD comes in a simplistic DVD sleeve. Two DVDs contain the movie and extras. The disc with the extras has an image archive from 2nd Gig and a mini movie with the Tachikoma.

Voice Acting

The English voice cast for the Individual Eleven movie was different from the cast of 2nd Gig. But the actors used in the movie were the same ones used in the Laughing Man OVA. This is a great voice cast and I have zero complaints about how they portrayed their characters.

The Japanese voice cast in the series remained the same for both the series and the movie. The Japanese seiyuu were also exemplary in their roles.

Rating

Ghost In the Shell: Stand Alone Complex: Individual Eleven gets 4 outta 4 Hammies!

Retail Info

• Publisher: Bandai
• Release Date:December 18, 2007
• Retail Price: $21.99
• Number of discs: 2
• Run Time: 161 minutes
• Rating: Unrated
• Language: English, Japanese
• Aspect Ratio: 1.33:1
• Format: Animated, Color, Dolby, DVD-Video, NTSC, Subtitled, Widescreen

GitS tops my list of most fascinating speculative sci-fi anime series ever, and adds another movie to its franchise this year with the release of Laughing Man.

Ghost in the Shell has been around, in one form or another, for quite some time. In 1991, Masamune Shirow released the GitS manga. Then followed two anime movies: Ghost in the Shell and Ghost in the Shell 2: Innocence. The GitS anime, Ghost in the Shell: Stand Alone Complex was released after the two movies. Another movie, Ghost in the Shell: Stand Alone Complex Solid State Society was released in the US in July, 2007, after the series.

The anime series, Ghost in the Shell: Stand Alone Complex, ran for 52 episodes in Japan over the span of two seasons. The seasons were titled GIG 1 and GIG 2, respectively. GIG 1 and GIG 2 were summed up in 160 minute movies highlighting the events of each. Ghost in the Shell: S.A.C.: Laughing Man is a summation of the important highlights of the Laughing Man case from season one.

plot summary

In the not so distant future of 2030, humanity’s still no better nor any worse than it’s ever been: On one hand, technology has improved humanity’s quality of life and has increased lifespan duration as well. On the other hand, technology has also enabled criminals to commit more sophisticated crimes and has created new problems and diseases to combat.

The crime fighting unit, Public Security Section 9, helps track down cybercriminals and bring them to justice.

Major Motoko Kusanagi, is the unofficial leader of Section 9 and is well suited for the job, being that she’s more machine than woman. Her super human strength and heightened senses allow Motoko to track down and handle almost cybercriminal.

Six years ago, however, a cybercrime was committed and the perpetrator was never brought to justice. The perp was dubbed the Laughing Man for the smiling logo that always obscured his features.

A cybercriminal who was an extremely high level hacker, the Laughing Man kidnapped and attempted to blackmail the head of Serano Industries, Ernesto Serano, using hacked data. But things went awry when the Laughing Man pulled a gun on Serano in front of a camera crew. It was a very high profile crime, but no one could track the criminal since he had hacked everyone’s cyberbrain – a nearly impossible feat.

Now, it looks as if the Laughing Man has made a re-appearance- or has he? When the head of police is confronted by a proxy of the Laughing Man during an interview, all evidence points to the Laughing Man coming back to tidy up unfinished business.

A deeper look into the matter by Section 9, however, reveals plots within plots more sinister than mere corporate blackmail.

Review

Although Laughing Man is a movie comprised of highlights from season one, it’s no paltry patchwork quilt of GIG 1 episodes. No, Laughing Man is more of a “best of” from the first season of GitS: S.A.C.

To those who have seen GitS: S.A.C., GIG 1, the subject matter of Laughing Man is nothing new. However, the mode of delivery is sharper, quicker, and cleaner than the series. There are no breaks for commercials, no needless side stories which aren’t relevant to the story, no break to the overall flow.

To all those who haven’t seen GitS: S.A.C., GIG 1, Laughing Man is a seamless movie and you’ll never be able to tell it’s a glorified highlight reel from a series.

The series itself is interesting as a look at what could, nay, will happen, in the near future. Never was speculative sci-fi better exemplified than in this story arc from GitS. Not only are we presented with the triumphs mankind has achieved in the realm of technology, but we’re also confronted with our failure to evolve to the higher levels needed to use said technology responsibly.

The tone of the movie isn’t as dark as other speculative series; it has hope that man will evolve and grow into a responsible wielder of power. That’s what sets GitS apart from its contemporaries: Hope.

The characters are all believable and sympathetic, especially Batou, Togusa and Motoko. The Laughing Man is incredibly fleshed out and has terrific development. I’ve got no complaints as to any development in the movie.

Laughing Man has a great story and fantastic pacing. Its conveyance of heavy concepts never slowed down the delivery, except at the end of the movie.

There, wordy, verbose banter was thrown around between the Laughing Man and Motoko; far above the heads of all but the most alert and attentive viewers. I actually felt my eyes glaze over as I listened to comparisons in personality structures, etc. After five minutes of intelligent yet drudging back-and-forth, the movie picked up the pace again and ended seven minutes later. The pacing was thrown completely off by the poor timing of that discussion. Laughing Man did end well, but I was still distracted by that aside.

GitS has always had top-notch character designs. Always. The designs are what make the movies and anime so believable, besides the story. So many weapons and armored mech suits in other anime come off as laughable, but GitS has managed to avoid that speculative technology pitfall when others have not. The Tachikoma mini tanks are believable since they look as if actual R&D went into their conception. Most modern day technology is based off events and creatures in nature, as are the Tachikoma, which are based off jumping spiders. Little things like that help make Ghost in the Shell as good as it is.

I initially thought that the movie was going to be an edit job of all the pertinent scenes from the series. Yes and no. Production I.G., the same studio behind the GitS series, animated most of the scenes from scratch. The movie had a much more finished quality than the already fantastic anime. The production and attention to details were top quality and fans of the series will be well pleased with the treatment the story received.

Laughing Man has a completely different English voice cast from the series. The voice actress who played Motoko in the movie, Allison Matthews, sounded almost exactly like Mary Elizabeth McGlynn, the voice actress from the series. We watched the movie in English since that’s the way we watched the series. The voice cast was excellent in either Japanese or English.

Yoko Kanno scored the movie, just as she scored the series, and she did a damn good job. Most of the songs from the anime will be instantly recognizable to fans, since so much music from the series was used for the movie. Yoko adds just enough techno into the soundtrack to give it the electronic vibe needed for an audible edge.

The movie is also packaged with a DVD of extras, which includes: an animated short featuring the Tachikoma trying their hand at voice acting and an archive from Stand Alone Complex.

While Ghost in the Shell: Stand Alone Complex- The Laughing Man isn’t exactly a new addition to the GitS universe, it’s still a finely edited, well paced, beautifully animated re-telling. For old and new fans alike, Laughing Man is a must-see look into the frightening and fascinating world of What Might Be.

out of a possible four gummies.